You look at the BBC today and
you can't believe that George Orwell once worked there.
FRONTPAGE.MAG
It's tough to be Moroccan in the Netherlands.
Just ask the BBC.
By Bruce Bawer
From
the moment it became clear that the ongoing Islamization of the Western world
was a potential disaster of historic proportions, the mainstream media – in
their perverse effort to defend the indefensible and keep the cart careening
downhill – have been making use of shameless sentiment to overcome the plain
facts. One of the first examples of this practice that I can recall was way
back in 2003, when the big, bad Norwegian government put resident terrorist
Mullah Krekar through the first of what would turn out to be many deportation
scares. Since Krekar, back in his homeland of Iraq, had been responsible for the
violent deaths of innumerable innocents – children included – it wasn't an easy
proposition to try to whip up sympathy for him (although, heaven knows, some
media tried).
Instead, many reporters chose the family angle: Krekar might be a
bad guy, but what about his poor wife and kids? Repeatedly, the papers ran
tearful close-ups of Krekar's wife and pictures of her and Krekar embracing. VGran a whole story about
the intelligence services' confiscation of her beloved cookbook, which had been
in the family for generations and which contained the recipes of all of
Krekar's favorite foods. Dagbladet, for its part, ran a report
whose headline told us that when Krekar's kids heard
on TV that Daddy had been released from custody and was headed home, they
kissed the TV screen. It was Dagbladet, too, that published one of the
great sob stories of all time. The headline: “My
children are waiting every single day to hear from Papa.” The first sentences:
“Mullah Krekar's wife (39) is scared. For her four children, and for the
future.”
And so on. You get the idea. If you're trying to obscure the truth,
defend the indefensible, and smear the good guys, go for sheer, unadulterated
bathos. So it is that as the clock ticks down to the March 15 parliamentary
elections in the Netherlands (which, as it happens, I write about
in this week's National
Review), Anna Holligan of the BBC – in an effort to paint Geert
Wilders, head of the Freedom Party (PVV), as a racist hatemonger – kicked off a
March 7 article from The Hague by focusing on one of
the Dutch Moroccans whom Wilders, as she put it, had “accused...of making the
streets unsafe.” Needless to say, Holligan didn't talk to one of the majority
of Dutch Moroccan males who have dropped out of school and are living on social
welfare benefits; nor did she buttonhole one of the nearly 50% of young Dutch
Moroccan males who have rap sheets.
No: she talked to a young lady named Hafsa Mahraoui, who, in
“trendy black trainers and matching hijab,” is “the quintessential image of
modern Muslim woman.” (Yes, nothing says “modern” like a hijab.) Mahraoui,
Holligan reported, thinks of herself as “a true Amsterdam girl.” But life has
been tough for her lately: “the tone of the campaign” has brought her down.
“They say Islam isn't normal, it doesn't belong in Dutch society, and that
being hijabi means I am an oppressed person,” Mahraoui lamented. “It's tiring
because we are always in the spotlight and you have to defend yourself.” As if
all this weren't terrible enough, Mahraoui complained – and she clearly meant
this to be understood as an example of the way Dutch people treat Muslims –
that her headscarf had been “ripped off just after the murder of the film-maker
Theo van Gogh.” Supposedly, the memory still makes her shudder. Not the memory
of the murder, mind you: the memory – the more than twelve-year-old memory – of
having her headscarf yanked off.
Thus does the murder of Theo van Gogh become a passing reference
in a story about Dutch people purportedly making life tough for Muslims.
Never
mind the murder itself, which happened on a busy Amsterdam street and was
committed by one Mohammed Bouyeri, a Dutch-born man of Moroccan parentage who,
before the murder, had been considered by friends and acquaintances to be a
fully integrated member of Dutch society. (Indeed, he might well have described
himself as “a true Amsterdam boy.”) Yes, it's regrettable that somebody
(allegedly) yanked off Mahraoui's headscarf. But it's quite a bit more
regrettable that, simply because Theo van Gogh had released a short film
drawing attention to the systematic oppression and brutal abuse of women under
Islam, Bouyeri, who had been born and bred in the Netherlands, was moved to
shoot him eight times, slit his throat in an attempt to decapitate him, stab
him in the chest, and then used a second knife to pin to his chest an open letter addressed
to van Gogh's film collaborator, Ayaan Hirsi Ali. The letter praised Allah and
Muhammed, quoted extensively from the Koran, and concluded: “I know for sure, O
America, you will go down. I know for sure, O Europe, you will go down. I know
for sure, O Holland, you will go down. I know for sure, O Hirsi Ali, you will
go down. I know for sure, O unbelieving fundamentalist, you will go down.”
It is the murder of Theo van Gogh, and not some random act of
hijab-pulling, that is the ultimate emblematic act of the Netherlands in our
time. But you'd never know it to read the BBC or other major Western media.
If Holligan had been more honest – and braver – she wouldn't have
presented, as if it were unassailable truth, Hafsa Mahraouri's view of Dutch
people as hijab-pulling bigots and of Dutch Moroccans as innocent victims of
their prejudice. She would instead – or, at least, in addition – have spoken
with somebody like 57-year-old Salman Ezzammoury, a Muslim apostate who
immigrated to the Netherlands from Morocco at the age of 23 and who, in a
recent interview, painted a picture of the Dutch that is the exact
opposite of Hafsa's. Ezzammoury considers the Netherlands prachtig – a word that can be translated as
“splendid,” “magnificent,” “exquisite,” “wonderful” – and regards the Dutch as
“tolerant and kind.” The only people in his orbit who aren't tolerant and kind are – guess
who? – his Muslim neighbors. Raised (as he puts it) to see all non-Muslims as
enemies who must be killed, Dutch Muslims deliberately isolate themselves from
Dutch society – while the Dutch, in their naivete, provide them every
opportunity to spread their “evil” ideas. What does Ezzammoury think of Geert
Wilders? Well, said Ezzamoury, “he shouts a little too much,” and he's a
conservative, whereas Ezzammoury himself is a man of the left – but at bottom,
he pronounced, he and Wilders share “the selfsame ideology.”
So who interviewed this courageous gentleman, this former Muslim
who's knowledgeable – and refreshingly forthright – about both Islam and the
Dutch? The New York Times? The Guardian? CNN? Guess again: his interview
appeared in a local newspaper in
Barneveld, a town of 30,000 in the largely rural province of Gelderland.
Laurent Obertone made the
point about his own country, France, in his 2013 book La France Orange Mécanique,and
it holds true for many other countries as well, the Netherlands included: when
you want to know the facts about the dread impact of Islam on the West, don't
bother looking in major national media; go to the regional press, where obscure,
underpaid reporters who don't belong to the politically correct elite will give
you glimpses of the truth that their big-time, big-city colleagues – people
like the BBC's Anna Holligan – do their best to keep out of the public eye.
